(objet window:  change 4 couleur
with external sound recording of streets, daily noise,…).
the idea is to provoke the spectators to ask themselves about human
activity and the functioning of society, to estimate, re-watch,
re-feel and re-listen to the values and symbolic forces of these daily
actions, which come together throughout the different continents.

Performance art is often spectacular, it is itself staged, with the body reacting to a public or a given time.
Sooji Kim has a very different way of expressing his living body as motionless and silent.
As a reversal of roles, his body’s presence is quiet and then returns to the scene around him. For the distance between his body and his flesh to be effective, it passes through the filter of the camera, a map and a single framework leaves then appears back on the street in front of a river or a rock.
The clothes are also involved in the disappearance of the body in an almost abstract way, they have no roughness, allowing emotion to emerge.
This device is minimal, each time carefully staged in a pattern.
Like Eastern cultural art, it is made for contemplation and silence, thus having poetic expression.

I do not imagine.

I rely my senses, visual, touche..

That’s it.

Just, my own pesception.